I can’t play
any instrument because 1)I don’t think I have great mind-finger coordination
and 2)I simply can’t. I don’t sing very well, discount the times when I’m
singing out loud to Sam Smith in the car, asking stray cats and dogs by the
pavement to stay with me. I paint but everyone who wants to paint can paint. Same
goes for dancing and acting and visualizing and the lot. I do, however, have
always had a large appreciation for all things art. Generically and more specifically,
for great movies, songs, and books.
I do not
realize how a large portion of my growing up and identity formation has been
based on some of my earliest exposures to art. To the books written by Enid
Blyton and Roald Dahl, particularly Matilda;

I mean, take a look
at you and me. You chose books - I chose
looks. I have a nice house, a wonderful husband... and you are slaving away
teaching snot-nosed children their ABCs.
- Probably my most remembered full
length quote from the book; I read this when I was seven.
and to the
songs by the Spice Girls and Michael Jackson, particularly the Earth Song. I
remember watching the music video on TV when I was four when I
came home from kindergarten, not having yet been intellectually exposed to
things like deforestation and elephants being left to die after their tusks get
removed.
My
appreciation and total or that I believe understanding of a movie came in later
in life and as time goes on and I grow older, I developed a taste and liking for
movies that fall under listed categories of dangerous, disturbing, on many
accounts depressing and/or deliberately slow. I’m not sure when exactly this
came on and which movie first steered me into this direction – Blue Valentine,
maybe?
So you can
imagine what happens to me when a really great book is made into a movie or
when a really great movie was brained from a book, combined aesthetically with
the wonders of a damn good soundtrack to carry the movie through fluidly.
For a lack
of better words, I go into a phase of Tak Boleh Berhenti Fikir Pasal Movie Itu.
No really.
I literally
cannot stop thinking about it.
So when a
momentary, unexplainable obsession takes over, what am I to do – reread the
book or rewatch the movie? Unfortunately, some films can be too much to absorb;
I watched Girl, Interrupted twice perhaps and realized that I could not do it another
time without risking myself unconsciously developing the antagonist’s
characteristics. & I already have too many books to read. & I am also, ironically, lazy.
So thanks to
the wonders of being born into the computer age, I carry on my obsession by
fully utilizing the Internet – I look up specific and more in depth details of
what goes on behind the scenes, what happened on set during production, what the actors had to do
to prepare themselves for their roles, who were the director's original choice of cast, how the soundtrack
is composed and selected, why the director’s cut involved a certain take and
angle, what sort of new technological tricks were used to elicit what sort of reaction, how the cinematography is conceived.
I watch and read countless interviews of the actors, the directors, the book’s author. I plough through the movie trivia, the did-you-know pieces of information, absorbing every bit of possible fact. I listen to the soundtracks over and over sometimes it’s the only thing I hear for weeks and it is still the only thing I'm listening to right now and selflessly allow the very DNA of that movie diffuse into my system like heroin.

I am now resisting from going to sleep despite being rather exhausted from a long and great day and despite the fact that I'm going to wake up very early because I felt an extreme need to complete and publish this drafted post about how much I was amazed and terrified and still am by the brilliance of Requiem For A Dream.
I randomly decided to watch it a couple nights ago because I'd been meaning to for years but left it in the virtual shelf to collect dust. & I was hella bored.
I perhaps need to watch this one again, despite how much I was left feeling an extreme level of anxiety as the movie was a constant and steady decline from what seemed like a normal life in Brooklyn to a sheer state of void, emptiness and transparent madness.
because I am in full admiration of Darren Aronofsky's very meticulous transcribing from book to film, how he got Hubert Selby Jr. to come on set to read specific paragraphs to the actors before their due scenes, his dedication to the production so far that he purchased the rights of Japanese animated thriller, Perfect Blue, for $18,000 just to replicate a 30-second inspired scene which was terrificly haunting, how Jared Leto lost 25lb and how Ellen Burstyn lost 40lb plus having to wear prosthetic pieces which took four hours to put on, how the cinematographer, Matthew Libatique, accidentally let a shot go out of frame because he got emotionally affected while filming, how Hubert Selby Jr. himself cried on set upon watching one of his written characters come to life so painfully and flawlessly, how Hubert Selby Jr. made an unknown guest appearance in the film, how Jennifer Connelly's eyes alone are a perfect representation of the entire film,
and how the whole soundtrack both kept my adrenaline on a steady pump and made me feel like I was mentally dying of desolation, how some imagery were edited just to evoke the similar rushes that one gets from taking drugs, how some imagery were left to be so plain and empty and dreadfully dull to evoke the similar withdrawals that one gets from not taking drugs, how some extras on the set were actual junkies, how the movie had a total of 2000 cuts compared to a normal 600-700 cuts...
I could go on and on about this movie.
because of how much of a masterpiece it truly is.
in all its technicality, its simplicity, and overall context.
I am a huge fan of when the chosen soundtrack and film complement each other and both evidently make each other whole. I cannot get enough of how much it worked on Requiem For A Dream. plus my tendency of remembering scenes and imagery better by the music that accompanies it, I can still remember clearly how I was made to feel during specific portions of the movie and how I both loved and hated it simultaneously.
fourteen years later,
the movie proves that not only can it stand the test of time.
did you know that Aronofsky consciously avoided a specific time frame to the movie so that people could not tell when exactly the film is supposed to be set in?
funnily enough, the way this movie has got into my skin and bones almost resembles how the movie is about drugs and the very detailed way it gets into you and leaves you. though I'm not sure whether I will ever be able to drop my undying obsession towards this film. perhaps until I stumble upon my next fix of a movie, maybe?
Dreams - Clint Mansell & Kronos Quartet
I watch and read countless interviews of the actors, the directors, the book’s author. I plough through the movie trivia, the did-you-know pieces of information, absorbing every bit of possible fact. I listen to the soundtracks over and over sometimes it’s the only thing I hear for weeks and it is still the only thing I'm listening to right now and selflessly allow the very DNA of that movie diffuse into my system like heroin.

I am now resisting from going to sleep despite being rather exhausted from a long and great day and despite the fact that I'm going to wake up very early because I felt an extreme need to complete and publish this drafted post about how much I was amazed and terrified and still am by the brilliance of Requiem For A Dream.
I randomly decided to watch it a couple nights ago because I'd been meaning to for years but left it in the virtual shelf to collect dust. & I was hella bored.
man was it a wrong decision to watch it at night.
alone.
in the dark.
I perhaps need to watch this one again, despite how much I was left feeling an extreme level of anxiety as the movie was a constant and steady decline from what seemed like a normal life in Brooklyn to a sheer state of void, emptiness and transparent madness.
because I am in full admiration of Darren Aronofsky's very meticulous transcribing from book to film, how he got Hubert Selby Jr. to come on set to read specific paragraphs to the actors before their due scenes, his dedication to the production so far that he purchased the rights of Japanese animated thriller, Perfect Blue, for $18,000 just to replicate a 30-second inspired scene which was terrificly haunting, how Jared Leto lost 25lb and how Ellen Burstyn lost 40lb plus having to wear prosthetic pieces which took four hours to put on, how the cinematographer, Matthew Libatique, accidentally let a shot go out of frame because he got emotionally affected while filming, how Hubert Selby Jr. himself cried on set upon watching one of his written characters come to life so painfully and flawlessly, how Hubert Selby Jr. made an unknown guest appearance in the film, how Jennifer Connelly's eyes alone are a perfect representation of the entire film,
and how the whole soundtrack both kept my adrenaline on a steady pump and made me feel like I was mentally dying of desolation, how some imagery were edited just to evoke the similar rushes that one gets from taking drugs, how some imagery were left to be so plain and empty and dreadfully dull to evoke the similar withdrawals that one gets from not taking drugs, how some extras on the set were actual junkies, how the movie had a total of 2000 cuts compared to a normal 600-700 cuts...
I could go on and on about this movie.
because of how much of a masterpiece it truly is.
in all its technicality, its simplicity, and overall context.
I am a huge fan of when the chosen soundtrack and film complement each other and both evidently make each other whole. I cannot get enough of how much it worked on Requiem For A Dream. plus my tendency of remembering scenes and imagery better by the music that accompanies it, I can still remember clearly how I was made to feel during specific portions of the movie and how I both loved and hated it simultaneously.
fourteen years later,
the movie proves that not only can it stand the test of time.
did you know that Aronofsky consciously avoided a specific time frame to the movie so that people could not tell when exactly the film is supposed to be set in?
funnily enough, the way this movie has got into my skin and bones almost resembles how the movie is about drugs and the very detailed way it gets into you and leaves you. though I'm not sure whether I will ever be able to drop my undying obsession towards this film. perhaps until I stumble upon my next fix of a movie, maybe?
Dreams - Clint Mansell & Kronos Quartet











